Monday, October 15
Sportin' It
Sunday, October 14
Weightless Luxury
I stumbled upon it at a thrift store that I also happened to stumble upon during an afternoon of running errands. From the outside, it didn’t seem as if any notable treasures would be hiding inside. It didn’t have an interesting name, like Flower Child or Secret Past – two A-plus Cleveland-area vintage shops. It wasn’t even in a well-known area –
Browsing through the racks I found a white JCrew cable-knit sweater – versatile and functional, but nothing to write home about – a wooden-handled purse with paisley embroidery – definitely a 1970s heirloom and, at $2.99, a must buy – and a pair of brown, barely worn Steve Madden stilettos on sale for $5.99.
Skimming though the scarves I saw much of the usual selection – unsightly stripes, fuzzy knits and the token sport’s team memorabilia. However, I was drawn to the unmistakable gleaming softness that can only be cashmere. I grasped the coal black scarf with my cat-like reflexes – like a sample sale, thrift shops only have one of everything – and could feel that my eyes did not deceive me. But it wasn’t just any cashmere scarf. This one had Mr. Dior’s stamp of approval. I clearly underestimated this store’s potential.
As the buzz from my find began to lessen, I was free to think about cashmere and its implications. The time and care put into making cashmere garments emits the feeling that each piece is special in its own right. The impossibly thin fibers – six times finer than human hair – make for virtually weightless luxury that simply can’t be made by machine. To this day, most cashmere garments are still made by hand, as they were in the 15th century. Anyone who wears cashmere tends to feel like a million bucks.
My mind then wandered to the scarf itself. Where did it come from and how did it wind up here? Who was the woman to own it prior to me? Maybe she was the lonely wife of a cold man, trapped in a loveless marriage, who found life in a man she hardly knew. The scarf was a gift from the secret lover, who she had to vow never to see again for fear of her husband finding out. Was the passionate attachment to the lost love too much for her to handle so she parted with the scarf – and the memories – in one foul swoop? Perhaps or perhaps not. I guess I'll never know.
Eager to make the scarf my own, I made my way to the counter. When I got there, I suddenly noticed that the item was missing its price tag. How much would I end up paying for a Christian Dior cashmere scarf in a place like this? “This scarf is missing its price tag,” I told the clerk as I approached the counter. “Oh, all scarves are 99 cents,” she replied.
Fabulous. I’ll take it.
Sunday, October 7
The Awful Truth
Why am I nervous? She’s a woman just like me. She’ll understand what I’m about to say. Or will she? She’s only the most powerful woman in fashion. Like she’s going to care what I have to say! But I’m also a dedicated reader of her magazine, so she has to care what I think right? Well, I guess we’ll see…
Thoughts raced through my mind as I waited for – and half dreaded – my meeting with Anna Wintour to begin. A woman of her status could squash me like a bug – ruin my entire fashion future – in a mere moment. Regardless, I had a bone to pick with her. Who does she think she is putting 18-year-old girls in couture dresses I couldn’t afford even if I saved a lifetime? Lately it seemed as if flipping though the latest Vogues was no longer as thrilling as it was discouraging. The models were getting younger and the styles more outlandish as the issues went by. I mean seriously, who would ever wear a string of baseball-sized pearls and cut their hair in the shape of a triangle? The inspiration I used to gain from studying my favorite magazine was no longer there. All I saw were pages of unattainable nonsense.
Coming to this realization was heartbreaking. Getting my monthly issue in the mail used to be a sunny morning after days of gray. A light at the end of the tunnel. A round of martinis on the house. But these days the articles seemed more and more over my head. I’ll never spend a weekend in the
As a 20-something professional with a decent disposable income, I resent the fact that Vogue is no longer a magazine that makes me love, appreciate and buy fashion – it’s now a magazine that makes me feel bad about all of the fabulous things I’ll never have. “Pretentious elitism” is what my mother calls it. Is she right? Is that what the magazine has always been, or has something gone terribly awry?
Tuesday, October 2
Into the Great Wide Open
A model in a sheath strapless minidress appeared to be standing naked in a field of waving wheat, while another was armored in a vinyl charcoal gray and black patent coat equipped with pockets big enough to hold the necessary trekking gear. Coats and jackets with prominent clasps followed, worn over shirts with protective, Pilgrim-esque collars.
Then came the wildlife. A model in a floor-length ribbon wrapped gown resembled a zebra grazing down the runway, followed by plumage-puffed dresses strikingly similar to the perplexingly graceful ostrich.
Posen’s color busts were wild cries from the skies beginning with a pinwheel cocktail as yellow as the rising sun to a blazing red floor-length as hot as the midday desert. Meticulous touches of more spiral ribbons on a bronze gown reminiscent of a day’s-end glow emulated cascading rays over waves of grain. A one-shouldered column gown resembled a storm cloud engulfing the sky, shashed with pillowed fabric in deep blues, purples and grays. Perhaps the collection's most dramatic gown was silver like the desert’s rare, yet violent, rainstorm. A sprig of spiky feathers protruding off the shoulder was lightning, while the garment’s billowy bottom gathered and swayed like a gust of wind.
While the tendency to intermix bursts of color into a neutral pallet carried over from Posen’s Spring 2007 collection, he seemed to have a bit more fun this year. The playful looks of ’08 imply that Posen is sure enough in his visions to add an element of fantasy to his otherwise grownup collections. It also merits mention that his safari adventure gave us all the chance to escape to a simpler time when Mother Nature was the sole decider of our fates.
Saturday, September 22
Goin' All Out
At the end of sight-seeing Day 1, we were more than ready to wash the tourist off of us and get ready for our first night on the town. Dinner reservations at Pastis awaited us! I put on my new very favorite dress: an indigo Armani mini with a plunging neckline and rising hemline that left little to the imagination. With my 4-inch heels strapped on and clutch in hand, I was ready to go. But when we stepped outside our Midtown hotel, I suddenly stopped feeling fabulous and began to feel overdressed. Mixed among people in t-shirts and backpacks, jeans and shorts, tennis shoes and flip flops, I felt like a pink elephant in the middle of Times Square. I was shocked. I never expected to feel this way in the city where fashion rules - the one place in the world where I was prepared to go all out. I had to ask myself, where have all the well-dressed people gone?
Tuesday, September 18
The Find of the Century
On this particular day, I really had nothing specific in mind to buy. Perhaps a vintage cashmere sweater, a funky scarf or maybe even a leopard-skin pillbox hat. But what I came across was more than I could have ever hoped for. More than my wildest dreams would ever even permit me to imagine.
When I entered the shoe department - which was subsequently the whole store, as thrift stores are usually in a humble state of disarray - they immediately caught my eye. Red. Bright red. Mary Jane's. With heels high enough to put me (almost) eye-to-eye with my 6-foot-tall boyfriend. The best part? They were Max Azria circa I'm not exactly sure when, but I can definitely see them being Jerry Hall's favorite shoes in 1989. The clincher? They cost $1.50. The upset? They are approximately one-half size too small. But, by god, I wear them anyway.
Because this find was scored in a musty thrift store in Cleveland rather than say, a speciality vintage store in New York City, my shopping story has a moral: fashion is everywhere. It's in our closets and on our minds, but most importantly, it's on our feet.